(1910, GB, 14 min, b/w) Dir James Gilroy Munce. Cast Unknown.
Possibly the craziest, most ahead of its time and influential fourteen minutes of early cinema as film pioneer James Gilroy Munce corrals every optical trick available to him and invents a few more for this mostly narrativeless explosion of invention. Now little seen (and only now available for viewing in the Munce museum in Colorado) it spent a good twenty years following its production travelling with Munce or one of his trusted associates to every corner of the United States with his other films, enrapturing audiences wherever it went. No doubt some of the future titans of SFX saw it on this run and, inspired by shots such as the lead character – usually referred to as The Dreamer – leaping to the moon, went on to replicate them in their own features in later life. Cooper and Schoedsack, it is said, were inspired by the Dreamer’s wrestling with a sea colossus (having first swollen to match it in size) to realise King Kong themselves in 1933. To any student of film history, afficianado of the medium’s early years or even the mere fan a pilgrimage to Colorado’s to view this relic of enterprise and inspiration is an absolute must.