(1976, Fr, 98 min) Dir Catherine Dominique. Cast Adrianna Belle, Jean Fillet, Hans.
Riding the crest of the wave started with Emmanuel, Catherine Dominique traded in art house experimentation for feminist sexploitation with Le Fusil Rose. “Emmanuel, we all hated,” she said in 2010 at a retrospective in Berlin, “I wanted to make a film where the woman make the choice, you understand? Like me, in life.” A discussion of Dominique’s life is better left for a review of Madame D, the documentary about her, but it’s hard to miss the parallels between this and it, even though Le Fusil Rose centres around a female highwayman character and not a twentieth-century film director. Like Dominique, the Pink Musket is in reality the sweet and mild daughter of a landowner. The both of them dressed up to go out at night and take what they wanted from men – Dominique using the power of her body over them and the Pink Musket her weapon. Both also had the law on their tails but for Dominique it was for the provocations of her art and unlike the Pink Musket it never came in the form of Jean Fillet and his swimmer’s physique. At the end of the film he and the Pink Musket come face to face in a battle of physical strength that is far removed from the kind that you would expect at the end of a Clint Eastwood movie for example. Brazenly erotic and unashamedly political it’s great to see Dominique enjoying a resurgence of interest in recent years.