#226 – Hawk Savage: Renewed

(2014, US, 102 min) Dir Hal Hanry. Cast Leo Young, Demi Moore, Jeff Goldblum.

Here’s the story – the original Hawk Savage, about a daytime TV personality who dressed up as a big bird and transcended time and space to fight injustice in the evenings, was released in cinemas in the fall of ’84. Less than nobody went to see it. Had it been released ten years prior that, more likely than not, would have been that but over the following ten years it gained a steadily accumulating army of cult fans on VHS. This was good news for director Hal Hanry and lead actor Leo Young – neither of them having had much of a career since Hawk Savage – as it meant that their future on the science fiction convention circuit seemed assured. Then the internet happened. In 2006 a young fan called Jan Lawrence made a trailer for Hawk Savage: Renewed (as was promised, in the style of James Bond films of old, at the end of the original HS). Emboldened by the media interest in this trailer Hanry began an eight year tour of every studio he could get in the door of whilst keeping the internet public up to date with regular assurances of deals and rumours of deals and news of imagined deals. A Kickstarter fund was launched and it’s target exceeded. Fox got on the phone and their budget was doubled. The internet patted itself on the back. The real Hawk Savage: Renewed was released in the fall of ’14 and yet again less than nobody went to see it. What had originally been a film that was fleet of touch was now weighed down by callbacks to the original that rendered the proceedings impenetrable to neophytes. It didn’t help that the stars of the original like Demi Moore and Jeff Goldblum looked much less that pleased to be returning. Not Leo Young though – he was having a ball. Avoid unless you’re a die-hard fan and even them think twice about it.

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#225 – Meat Palace

(1921, GB, 41 min, b/w) Dir B. Richard Crisp. Cast Conrad Hoot, Phillidia Fitzhibbert, Ivy Bean MacTashman, B. Richard Crisp.

A delicious Scots oddity, the fever dream of the unnamed, destitute and moor-stranded lead (a bearded, shambling Hoot) who is led by moonlight to the titular edifice (constructed, as suggested, of food flesh) by a beautiful pair of diaphanously gowned and supernaturally glowing women (Fitzhibbert and Bean MacTashman). Therein our anonymous bum hero finds himself at the service of The High Lord Meat and Creamy (the director Crisp himself, encased in what was apparently a self-made and fantastically pungent ‘Beef Suit’) whose whims begin at the curious and before long descend into the downright wrong. All this is gleaned from the script – of which a half-dozen scribbled pages remain – a roll of mostly fogged-out photographs from the set and the recollections of esteemed film critic Maxim Puccini who was, at the time, a fourteen year gaffer’s hand. The recollection of the set’s “thick creamy stench” apparently put him off dairy for the rest of his life. The result is a grab-bag of suggestion and little in the way of fact – the ‘downright wrong’ of Lord Meat’s whimsy, for example, is frustratingly unknown. It seems to have found little favour with audiences of the time and it’s last recorded exhibition seems to have been in 1926, when it was screened to a visibly discomfited Lord Evelyn French-Parstley, the keeper of the King’s Exceptionals, at the Royal Estate of Bip, West Scotland. Now presumed lost and much sought after by aficionados of Crisp and his ‘Meat Films’.

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Twitter: @MadeUpFilms